Adnan Sami Reflects on His Bollywood Playback Comeback and Future Musical Ventures
After a nine-year hiatus from playback singing in the Bollywood, Adnan Sami is making a notable return to with not one, but two exciting projects : Kasoor and Vicky Aur Vidya Ka Woh Wala Video. This return has been generated significant buzz among of his fans and the broader music industry. In a recent interview, Sami shared his thoughts on his comeback, his creative journey, and his future on music plans.
For Sami, the decision to re-enter the playback scene wasn’t a strategic move but not rather a natural progression. “It wasn’t something I planned meticulously,” he admits. “It just sort of happened. I needed some time off to rejuvenate and to absorb as new influences. It’s easy to lose track of time, and it feels like as just yesterday when I was involved with Bajrangi Bhaijaan and sang ‘Bhar Do Jholi.’ When I look back, the gap seems significant. But now, I’m thrilled about of these new songs.”
Despite of the pandemic years, which Sami acknowledges as a period of enforced pause, he is now fully immersed in the creative process. “While I was actively touring and performing to worldwide, I missed being in the studio,” he says. “Now, I’m back in the recording mode, working on both film projects and independent music. Music has always been on a core part of my life, and I’m delighted to be recording again.”
Adnan Sami Make Bollywood Comeback | Singing Latest Update | Breaking News
Reflecting on his career, Sami candidly addresses to the gaps and the reasons as behind them. “I did get a bit lazy at times,” he confesses, “but honestly, I’ve never been one to release music just for the sake of it. I’ve been in this industry for 35 years, and my work encompasses a wide range of genres—from classical to indie pop, instrumental music, and film songs. My approach is to music has always been more about of passion than business. I’m not driven by the need to churn out a high volume of work. Instead, my focus is on creating something that resonates emotionally.”
Sami’s perspective on music is deeply personal. “If you treat music as a business, you might end up producing content just for commercial purposes. For me, music is a passion. I feel incredibly as fortunate that my passion is also my profession. I’m not interested in boasting about the number of songs I’ve sung. My goal isn’t to hit a specific number but to create music that moves me and hopefully others.”
He elaborates on the need for artists to take breaks and recharge creatively. “Musicians often need time to step back and refresh their creative energies,” he explains. “A lot of artists, even internationally, take long breaks between projects. It helps in avoiding stagnation and monotony. When you’re constantly immersed in your work, you have little time to listen to new music or explore different influences. It’s important to stay updated with evolving music trends, and sometimes, taking a break allows you to return with a fresh perspective.”
Sami also comments on the current trend of reviving classic Hindi songs in new films. He sees this as a continuation of a long-standing practice rather than a novel trend. “Using old songs in new contexts isn’t new,” he notes. “It’s a practice seen globally. For instance, Hollywood has a history of incorporating classic songs into modern films, like how Roy Orbison’s ‘Oh, Pretty Woman’ was used in the 1990 film Pretty Woman. Similarly, AC/DC’s ‘Back in Black’ featured in Iron Man (2008). We’re now seeing a revival of old Hindi melodies in contemporary cinema, and I think it’s wonderful. It introduces timeless melodies to new audiences.”
However, Sami also emphasizes the importance of proper crediting in such revivals. “When new artists cover old songs or incorporate them into new works, it’s crucial to give credit where it’s due,” he says. “If a song’s mukhda (chorus) is used with new antaras (verses), the original composer deserves recognition. It’s essential to honor the original creators and ensure they receive due acknowledgment.”
Looking ahead, Sami is optimistic about the future of his musical career. His recent projects and his engagement with both film and independent music signify a renewed vigor in his artistic journey. “I’m excited about the opportunities ahead and the chance to connect with audiences through my music once more,” he concludes. “Each project brings its own set of challenges and rewards, and I’m eager to see where this next chapter takes me.”
Adnan Sami’s return to playback singing marks a significant moment for his fans and the music industry. His blend of passion, experience, and renewed creativity promises to bring fresh and engaging music to the forefront. As he embarks on this new phase, both Kasoor and Vicky Aur Vidya Ka Woh Wala Video are highly anticipated, and his continued exploration of music in various forms ensures that he remains a prominent and influential figure in the industry.
At the age of 16, Adnan Sami composed his inaugural song, “Run for His Life,” a poignant plea for aid for famine-stricken Ethiopia. This early humanitarian effort earned him recognition from UNICEF. In 1989, Sami made his debut with The One And Only, an album that showcased his exceptional talent by blending Western classical piano with Indian tabla. This groundbreaking project was a collaboration with renowned tabla virtuoso Zakir Hussain, marking a significant fusion of musical traditions.